Westrey Wine Company
Westrey Combines Experience
and Knowledge to make great
Wines
By Cole Danehower
April 2006
“Amy and I feel we’re really lucky,” says
David Autrey, who with Amy Wesselman form Westrey Wine Company,
a signature example of the sort of small and independent wineries
that have put Oregon on the world’s wine map. The pair
are relaxing in their living room, enjoying the quiet of the
winter season, and a few moments of peace while their young twin
sons are with friends.
“My first harvest was in 1989 and Amy’s was in 1991,” David
continues. “Between us we have over 30 years of winemaking
experience in Oregon. That gives us a little perspective. Of
course, it’s still just enough experience for us to know
just how much we don’t know!”
David’s comment reveals
a lot about how these two engaging winemakers have been able
to produce so many superb wines since their inaugural vintage
in 1993. Given the complexities of winemaking and the vagaries
of Mother Nature, Amy and David approach their craft with healthy
doses of both confidence and humility.
“We’ve come to realize that no matter how many vintages
you’ve worked, Mother Nature still holds the reins,” adds
Amy—and then chuckles at the unintended pun “and
the rains, too!”
Westrey's Estate Vineyard
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Westrey Estate Vineyard
3.75-acres of Draper clone
Chardonnay
1.7-acres of Pinot gris (field blend)
1.6-acres of Pommard pinot noir
4.9-acres of Dijon clone 115 and 777 pinot noir grafted
onto the old vines in 2001 |
Of course, there’s still
a lot that a couple of smart winemakers can do to coax out
of Mother Nature what she is willing to deliver in any given
vintage. And to help them do that, David and Amy have spent
a number of years developing their own estate vineyard in the
Dundee Hills.
Finding acreage that contained an abandoned vineyard that had
been planted in the 1970s, and which was located next door to
one of their favorite vineyards to make wine from (Abbey Ridge),
was a godsend for the pair. Starting in 2001, they dug right
in and worked to renovate the old 7-acre chardonnay, pinot gris,
and pinot noir vineyard and are now producing fruit from it for
their Westrey label.
But they are also adding new
plantings that together with the old should push their total
production up to around 2,200 cases. “This
spring we are going to plant 1.3-acres of Pommard and 3.5-acres
of clone 667, Pommard, and clone 777,” explains David.
Amy and David are also going to plant a test block of many different
varieties so that over successive vintages they can monitor how
each grape grows at their site, matures, and tastes. What they
learn from that experience will help them make more informed
decisions as they plan the planting of the remaining 14 acres
of their estate vineyard.
Westrey's Wines made from Several
Vineyard Sources
Of course, Westrey Wines are
also composed of non-estate fruit from different appellations
(or American Viticualtural Areas, also known as AVA’s) within the Willamette Valley. “I
really don’t want to try and stereotype what the fruit
is like from each AVA,” says Amy, “because you can
always find exceptions. But even so, there are definitely differences
in each region. I look forward to being able to take people through
the cellar and show them how the regions can taste.”
Currently, Westrey sources fruit from the Justice
Vineyard in
the Eola Hills, Abbey Ridge, in the Dundee Hills, and Maysara
Vineyard in the McMinnville AVA.
“Abbey Ridge and our property shows the red raspberry
fruit that people talk about when they speak of the Dundee Hills,” says
Amy. “To me, Dundee Hills and its Jory-soil fruit produce
red raspberry, spicy, kind of lavendery and high toned floral
notes. The wines are very slurpable, but categorically different
from the blue fruit, marionberry pie, blueberry preserves, delicious
set of flavors that you get out of Eola Hills and sites like
Justice Vineyards.”
The Maysara fruit is also
very different, David notes. “That
fruit is a nice complement to the blend. It tends to be more
structured with plenty of tannin and lots of nice black fruit
character. It marries well with the rambunctious berry flavors
we get from the Justice Vineyard fruit.”
David and Amy's "Take" on Vintages
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Chardonnay by any other clone . . .
The resurgence of quality
Oregon chardonnay has been one of the great local success
stories of recent years. But some people have gotten
the story wrong, thinking that there’s only one formula for great Oregon chardonnay
(Dijon clone fruit plus stainless steel fermentation).
Westrey Wines shows that superb Oregon chardonnay can be
made from so-called “old” clones, such as the
so-called “Draper selection” and the “108
clone”.
“I love the Draper selection chardonnay,” says
Amy, “especially off of old vines like ours. The
wines have great length, richness, and depth of fruit—I
even love 108 when it’s grown right.”
Amy is quick to add
that she doesn’t mean to disparage
the new emphasis on Dijon clone chardonnay fruit. “I
completely support what the ORCA people are doing*. They’re
absolutely right that having a low yield chardonnay from
earlier maturing clones will do a lot of good for Oregon
chardonnay.”
But, she also feels
that there is room for different aproahces. “We
certainly plan to stick with our Draper selection. It does
tend to set less and have smaller clusters, and it does
have a wonderful, riper, honeyed pear characteristic that
we like.”
*ORCA stands for the ORegon Chardonnay Alliance,
a focused group of producerds who are working primarily
with Dijon clone fruit and making chardonnays in a more
crisp and fruity style. |
Of course, no matter how great
the fruit is, each vintage puts its own stamp of character
on the wine that gets made, and in the last few years Oregon’s
vintages have been quite different.
“2003 was definitely an unusual vintage,” notes
Amy. The weather in the Willamette valley was unusually warm,
and fruit ripening took place very rapidly, with unusually high
sugars and tannins. “I think it was easy for people to
panic in ’03—you had to pick at some pretty weird
times and some pretty weird numbers in order to get balanced
fruit.”
As two philosophy majors,
David and Amy have formed some definite opinions on how to
approach “tough” vintages. “I
think you need to keep your eye on the prize,” says Amy, “which
is to get the right flavors—not green and not overripe—and
to get a wine that is structurally balanced between acids and
tannins. I think we did a good job of that in ’03.”
The 2004 and 2005 vintages
were a return to “normal” for
Oregon, says David. “These are just classic, Oregon vintages.
I see a lot of cool-climate flavors: raspberry, black raspberry,
blueberry, great floral notes, very precise acids and balance,
plus wonderful vintage complexity. The wines have layer
after layer after layer of fruit, and earth and floral and minerality.
And tons of concentration! In ‘04 we averaged about 1.6
tons per acre and in ‘05 we were closer to 0.9 tons per
acre.”
If having a lot of experience
helped Amy and David make good wines in an odd year like 2003,
it also helped them make better wine in a more “traditional” Oregon
vintage.
“There are a lot of winemakers who have been working with
Oregon fruit since 2000—they have plenty of experience—yet
they’ve never seen a rainy harvest,” points out
David. “But having been through previous years like this,
we have the confidence that we can last through some rainy periods.
We know what our vineyards can take and what they can give, so
we can afford to be measured in how we pace our picking. Some
others who haven’t been through a wet harvest might pick
too soon—or too late.”
“You can complain and moan and groan and grasp at straws
for control all you want,” adds Amy, “but you’re
much better off if you just let go and roll with the punches
and see what the vintage brings you. Mother Nature can help you,
if you let her!”
Perhaps that’s what
their experience has done for Amy and David: given them the
wisdom of patience to combine with their confidence and skills.
And perhaps that is as good a formula for winemaking excellence
as any!
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