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About Nebbiolo
by Jim LaMar

Nebbiolo is considered one of the great wine varieties, bigger, darker and more tannic, even bitter, than most types, but consequently long-lived and prized by collectors. Jealously guarded in its native Italian home and most famous appellation of Piedmont, very few nebbiolo cuttings and clones have been exported to other countries.

The name nebbiolo has two probable origins. Ripe nebbiolo grapes have a very prominent "bloom" that gives them a "foggy" or "frosted" look, so the name could come from from "nebbia", Italian for "fog". It is an alternative possibility that the name simply comes from "nobile", Italian for "noble". Nebbiolo also goes by the names Spanna, Picutener and Chiavennasca in various Italian districts.

Cultivated since the 14th Century in Valtellina, an east-west valley in the Lombardy region at the foot of the Alps, north of Lake Como, this is the only region where nebbiolo is grown in Italy outside Piedmont. Although there are dozens of nebbiolo clones and nebbiolo is prominent in and famous for producing wines like Barolo, Barbaresco and Gattinara, the reality is that this variety makes barely 3% of all the wines produced in Piedmont. There are twice as many acres planted with Dolcetto and ten times as many planted with Barbera.

Part of the reason for this, in spite of its reputation, is that nebbiolo is one of the more problematic grapes for both vineyardists and winemakers. It is very sensitive to both soil and geography and can yield wines that vary widely in body, tannin and acidity, as well as aroma and flavor complexity, when grown in only slightly different locales. A very late-season ripener, the vines need the best exposures, especially in cooler climates, in order to reach maturity. It performs much better in calcareous rather than sandy soils. Nebbiolo grape skins are thin, but quite tough and fairly resistant to molds and pests.

Some winemakers feel that nebbiolo is even more difficult to work with than pinot noir. It can be changeable, moody and unpredictable while undergoing typical cellar and aging procedures.

Nonetheless, wherever vintners aspire to producing wine inspired by Barolo, nebbiolo is also grown, including Australia, California, New Zealand, South America and South Africa. Argentina has the largest acreage planted, but no region outside Italy has yet shown much potential for high quality wine production from this grape.


Typical Nebbiolo Smell and/or Flavor Descriptors

Varietal Aromas/Flavors:

Processing Bouquets/Flavors:

Herbal: floral, truffle

Terroir: truffle, earth

Fruit: blackberry, cherry

Oak: oak, smoke, toast, tar, vanilla

Spice: smoke, tar, anise, licorice

Bottle Age: earth, leather, cedar, cigar box

Wines made from nebbiolo are typically dark, tart, tannic and alcoholic. The best smell of cherries, violets and black licorice or truffles and have rich, chewy, deep and long-lasting flavors. Good Nebbiolo can harmonize with the richest, strongest-flavored meats and stews, as well as dry, aged cheeses that may be too strong or distinctive for other wines.

Jim LaMar is editor of Professional Friends of Wine, instructs Introductory Sensory Evaluation of Wine at California State University, Fresno, and has been drinking, thinking, teaching and writing about wine for 30 years. He is a member of Professional Friends of Wine.

Dick Erath is another Oregon fan of Dolcetto. He planted 280 Dolcetto vines in 1993 on a dead south slope at 550 feet of elevation. The clone is UCD 3, but he is now trying to find different ones. Erath added another 420 vines by grafting over in 2000. Ripening hasn't been a problem, as long as he thins the huge clusters.

Erath said, "It took a while to figure out the winemaking, especially the yeast and time of pressing. Our first release was with the 1996. Over-extraction is a problem; with normal yeast we found that we had to press between 11 and 13 brix. With Barolo yeast we've been able to go to 8 to 10 brix; this improves the fruit profile and keeps the tannins subdued."

On Red Mountain in Washington, the very fine Klipsun Vineyard grows Nebbiolo; Seattle-based Wilridge Winery produces the wine.

Patricia Gelles, owner of Klipsun (photo at left) said, "Nebbiolo is not easy to grow--it grows like a weed and would produce 15 tons to the acre if left alone, but then there would be no color or flavor. We do heavy pruning and different trellising. We are going to more Italian trellising, whatever that is! Nebbiolo is more susceptible to sunburn in our warm site so we make sure that there is plenty of leaf growth on the west side for protection. We have less than one acre and have actually replanted to one clone, the Lampeii clone."

At this time Wilridge is getting all of the fruit, but Gelles hopes to sell some to Lou Facelli (Facelli Winery in Woodinville) this next harvest.

Paul Beveridge of Wilridge has been taking Klipsun's Nebbiolo since 1998. It has been a very popular for him and always sells out quickly; the 2000 vintage shows good varietal identity and structure. After a trip to Italy last year, Beveridge also decided to plant Washington State's first Sagrantino, at the Lodmell Vineyards.

He said, "Sagrantino is my favorite Italian variety. I think of it as a wine that combines the best of Sangiovese and Cabernet Sauvignon. I am very excited to see how it works in Washington."

Nebbiolo has also been the passion for John Paul of Cameron Winery in Dundee, Oregon. Nebbiolo in the cool Willamette Valley, home of Pinot Noir? Paul has been carrying out a test plot of Nebbiolo for a number of years, which he has now expanded to around one-half acre on tight spacing (around 2,200 vines per acre). Oregon State University provided two clones, which Paul believes they got from Davis. His conversations with a number of winemakers in Piedmont lead him to believe that there are not as many different clones with Nebbiolo as with Pinot Noir.

Paul has the Nebbiolo planted at the winery site at low elevation, south-facing, with warm, early-ripening conditions. The Red Hills of Dundee in the Willamette Valley are not generally regarded as warm enough.

Even Paul said, "I do not believe that this variety will do very well anywhere else in the Willamette Valley. But I should note that my attraction to the notion was provided early on by Aldo Vaca (of Produttori del Barbaresco) who said that the Red Hills reminded him in many ways of the area around Alba (not the least, of course, being the hazelnut orchards).

"The vines grow tall with few laterals and are a pain in the ass to manage and typically much fruit has to be dropped on the ground. But when it ripens, it is unbelievably good. The birds go crazy for this grape like no other grape in the vineyard. It ripens late (as in the mother country), distressingly late, like late October or early November, but often the weather holds here until then--and the last few years it has." Oregon has seen a string of warmer, dryer vintages for Pinot Noir as well.

Paul also said, "The test wines that I have made (there has not been enough for commercial production yet) show incredible promise with deep color, brilliant cherry aromas and great texture. In 2001 my vines broke bud just before I left for a trip to Italy. When I got to Barolo a couple of days later the vines were just breaking bud. In the fall of 2001 we harvested the same week as in Barolo in late October. I therefore assume that I am on the right track."

Paul thinks that he may have enough fruit from the 2003 vintage to release a Nebbiolo wine--if the rains don't come before he harvests.

So What is Italian Anyway

Nancy Ponzi mused, "It occurs to me that Pinot Gris and Pinot Blanc can be viewed as Italian, and there are those who strongly feel our labels should reflect that sexy aspect. The history is we in Oregon were producing Pinot Gris long before most people had heard of Pinot Grigio or would have bought an Italian wine anyway. And, as far as our Oregon industry is/was concerned, Pinot Gris and Pinot Blanc were the correct varietal names. Like White Riesling. This has to do with the pure/idealistic origins of the Oregon industry."

Paul at Cameron agrees, to a point. He said, "At Cameron with several grape varieties, whether we call them ‘Italian' or ‘French' depends on what we plan to do with them during the processing phase. Thus grapes that others in the Oregon wine industry call Pinot Blanc or Pinot Gris, I prefer to refer to as Bianco and Grigio. Unfortunately, certain now-faded powers in the Oregon wine business decreed on the whole that we would be Francophiles and managed to get codified onerous rules tying our hands with regard to marketing these two varietals. Only now as California wine producers march ahead with Pinot Grigio in markets that Oregon used to dominate, are some producers beginning to question the wisdom of this narrow definition of varietal names."

With respect to the processing of these two varietals, Paul thinks that there is sometimes a notable difference between the French and Italian expressions--that while Alsatian renditions typically retain some residual sugar, usually in the range of one percent, the Italians (more specifically Friuli and Alto Adige) finish their wines dry. This may be as much due to climatic and soil nutritive influences as anything. Sugar showed up in Alsace most noticeably in the very, very ripe 1997 vintage, when sugar was hard to control. Additionally, the Italians bottle their wines much earlier to retain freshness. Paul said that the attitude on the part of the Italians is that these wines are to be consumed while young and fresh, generally during the course of the year following the vintage. For example, at Vinitaly this year, Paul saw predominately Pinot Biancos and Grigios from the 2002 vintage, but Americans are still selling 2001s. Traditional Italian whites also never see oak barrels, though in recent years as they have marketed to an American audience this has been changing.

Paul said, "At Cameron, I follow the Italian model in producing my Pinot Bianco, and the 2002 rendition is already in the bottle."

Paul continued, "My favorite Italian white wines, however, are not of a varietal sort but rather carefully constructed blends of several varieties; witness Jermann's ‘Vintage Tunina.' To this end I am planting other varieties and starting to use them in my more expensive blends. To date I have planted Tocai Friulano and Moscato. My ‘Giuliano' consists of stainless steel fermented Pinot Bianco, Pinot Grigio, Chardonnay, Auxerrois and Moscato. Though several of these varietals would be called ‘French,' the manner in which the wine is put together is decidedly ‘Italian.' And in Alto Adige and Friuli all of these varieties are to be found in spite of their lineage. Ah, it is more complicated than one might at first assume."

The Growing Number of Producers

Many other Northwest producers are making wines from Italian varieties as well. The list is long. In Washington, Woodward Canyon in Walla Walla and Columbia Winery (from the Otis or Alder Ridge Vineyards in the Columbia Valley) each produce very good Barbera and Sangiovese. Sangiovese is also produced by Facelli Winery, Arbor Crest in Spokane, Kiona on Red Mountain, Thurston Wolfe and Yakima Cellars in the Yakima Valley, and Yellow Hawk, Russell Creek and Walla Walla Vintners in Walla Walla. Cavattapi in Seattle has long made a Nebbiolo from the noted Red Willow Vineyard in the Yakima Valley.

As the hunt for the best varieties in the best sites continued in the young Pacific Northwest, more and more producers will experiment with new varieties. This Italian focus will not just be a passing fancy. France is not the only Mother Country for wine.


 

About Author Lisa Shara Hall

Lisa Shara Hall is the author of Wines of the Pacific Northwest (Mitchell Beazley 2001) and the co-author of The Food Lover’s Companion to Portland (Chronicle Books 1996). She serves as Senior Editor for Wine Business Communications (Wine Business Monthly, Wine Business Insider and Winebusiness.com) and writes for numerous publications including the annual Hugh Johnson Pocket Guide to Wine, The Oxford Companion to Wine, The Hugh Johnson/Jancis Robinson World Atlas of Wine , and Decanter.

Lisa is an active member of the Society of Wine Educators and the British-based Circle of Wine Writers. She is a frequent lecturer and educator, as well as the first candidate in Oregon for the Master of Wine qualification.-------------

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