IPNC 2005 International Pinot
noir
Celebration -- A Review by Rusty Gaffney
MD, the "Prince of Pinot"
PinotFile
Have you ever had that yearning to go back to college? How about returning
to a small, manicured campus just to study Pinot Noir? No homework, no written
tastes, just practical Pinot Noir tastings where you can study and compare
the myriad of styles of this wine from producers all over the world.
And
to top it off, gourmet meals unlike anything you ever ate at college.
Pinot Noir has come a very long way. David
Lett reminisces about his first harvest
in 1970 where he did everything wrong. He harvested unripe grapes,
fermented too cold, and aged the wine too long. At $2.65 at bottle,
this “Oregon
Spring Wine” was probably way overpriced. Today, the consistent high
quality of Pinot Noir is a testament to the progress that has been made
here in America in only 35 years. There is a lot of great Pinot now and
something for everyone’s palate.
The onslaught of great Pinot Noir
at the 19th Annual International Pinot Noir Celebration (IPNC) in
McMinnville, Oregon left me delirious. It reminded me of that
song from the
1950s: “Sugar (Pinot) in the morning, Sugar (Pinot) in the evening,
Sugar (Pinot) at suppertime, Be my little sugar (Pinot), and Love me all
the time.”
I attended the IPNC with a friend, Art “Fruit Bomb” Fries who is a Pinot drinker-in-training. Although we enjoyed many of the same
Pinot Noirs, Art kept drifting to the dark side. I pushed for elegance,
he demanded fruit. I looked at the alcohol levels, he laughed it off. I
spoke of acid and balance, he drifted off into a deep purple haze. I rhapsodized
about terroir, he mispronounced it “the rear”.
Art and I were
not alone in our differences. A panel of wine critics could not
agree on several of the Pinot Noirs presented to them A New Zealand wine
to some
had lovely sweet fruit, good cut (acidity), but a short finish
that was less impressive than the start. Others took the exact opposite
track, claiming
the finish was quite compelling and long. A California Pinot
Noir was said to be the worst wine of the five presented by one critic,
others felt the
rustic notes of the wine were appealing and some in the audience
actually voted it the best wine in the lineup. The point is, BYOP
(Bring Your Own
Palate) and enjoy the Pinot Noir in front of you regardless of
what a wine critic might pontificate.
The
setting for this wondrous event is bucolic Linfield College, an intimate
campus marked by majestic oak trees, stately brick buildings,
and ubiquitous hanging
petunias. The total of 650 conferees included 125 representatives of the
65 featured wineries. In addition, there were 45 guest chefs
to prepare the gourmet
fare assisted by staff from their restaurants and 40 other professional and
amateur chefs who volunteer their time for the IPNC. Over
50 volunteers from all over the United States work throughout the Celebration
in the background
insuring that the “dirty work” of setting up and cleaning up
goes smoothly.
Volunteers at IPNC 2003
Everyone seems transformed by the ambience
of the event . Lively
conversation spawned by a spirited passion for Pinot Noir leads to multiple
new friendships. There is no room for competition or judging wines at
this event. It is a true celebration of Pinot Noir, offering the wine
lover the
chance to discover the many different styles of Pinot Noir and the colorful
people behind the wines.
Since the first IPNC in 1987, over 10,000
pinotphiles have made a pilgrimage to this occasion. The IPNC has hosted
118 winemakers
from France, 23 winemakers from New Zealand, 12 from Australia, 11
from Italy, 8 from Germany, 7 from Switzerland, 5 from Canada, 3 from
South
Africa, 2
from Chile, and one each from Austria, England, Israel and Spain, for
a total of
193 foreign wineries.
Guest speakers at the IPNC have included
such wine notables as Lalou Bize-Leroy, Jancis Robinson, Robert Parker,
Remington
Norman, Michael
Broadbent and Christophe Roumier. Attendees have the opportunity
to taste
more than 250 wines at each Celebration (and I failed miserably,
losing track around
175).
The IPNC is the granddaddy of Pinot
Noir conferences with spin-offs now held in California, Tokyo,
Australia, and New Zealand. The opening
ceremonies is held at an outdoor amphitheater in front
of a grand old oak tree where
some
of the world’s greatest Pinot Noir winemakers are introduced.
Keynote, 2003 IPNC
GLOSSARY OF SOIL TERMS
(only for the most hard-core wine geeks)
Alluvial Soil: unconsolidated terrestrial sediment composed
of sorted or unsorted sand, gravel and clay that has been deposited by water.
Clay: large class of very fine-grained soils from various origins.
Glacial Loess: fine, wind-borne deposit of silt carried along the edge of a
glacier.
Limestone: sedimentary rock consisting of at least 50% calcium carbonate by
weight.
Schist: metamorphic rock of laminated layers of chiefly micaceous minerals
(say what?)
Sedimentary Soil: loose, unconsolidated deposit of weathering
debris, chemical precipitates or biological debris that accumulates on the
Earth’s surface.
An example is Shea Vineyard in the Yamhill/Carlton AVA of Oregon.
Silt: sedimentary material of very fine particles intermediate in
size between sand and clay.
Volcanic Soil: formed in one of several
ways, notably: the erosion of hardened lava flows, the breaking
down of small chunks of igneous rock formed when magma
is spewed from an erupting volcano, or the deposition of volcanic ash. An example
is Stoller Vineyard in the Dundee Hills of Oregon.
This year for the first time, proceeds from the IPNC are
supporting Salud, an Oregon program that provides medical and dental care
to seasonal agricultural workers.
One of the themes of this year’s
Conference was dirt or what the French more eloquently call terroir.
A film titled “The Real Dirt on Pinot Noir” was
created by Matt Giraud and Mike Corrigan especially for this year’s
event. This beautiful documentary reviews the geological history
of the terroir of Burgundy, Oregon
and New Zealand. Volcanoes, glaciers and shifting oceans on this
earth millions of years ago has shaped the current geology, resulting
in today’s
terrain and soil composition in the vineyards.
A few generalizations
were presented for each region. In New Zealand, the alluvial soils
lead to Pinot
Noirs that are structured similar to Pommard and Gevrey-Chambertin
with typical dark colors. Wines from the Central Otago region of
New Zealand tend to be more elegant.
In Oregon, there are basically
two soil
types:
volcanic and sedimentary. There is no calceric rock found in Oregon
that is typical of the Cote d’Or in Burgundy. The volcanic
soils of the Dundee Hills produce Pinot Noirs that are more floral and expressive
of
red berries, and are more Chambolle- Musigny-like exhibiting lightness
and elegance. These features are thought to be due to the high
moistureholding capacity of the deep soils.
The sedimentary soils
found in Eola
Hills, in
contrast, produce Pinot Noirs marked by dark berries presumably
because the vines are more stressed. The wines are more akin to
Gevrey-Chambertin. A full glossary of terms is at right. The main
thought to take
away? Dirt
matters.
The Food
Table Setting at IPNC
The food at this Conference was
astonishingly fresh and delicious. Oregon is blessed with a bounty of gastronomic
riches
- wild mushrooms and
salmon, shellfish of all types, an array of berries and fruits,
organic dairy farms, artisan cheeses and bakeries, home style sausages
and hams,
coffee roasters, and a crop of outstanding chefs.
The sustainable
food movement that began in Berkeley with chef Alice Waters has
now become centered in
Portland, Oregon. “Sustainable food” refers to a short chain
of supply and demand that emphasizes the consumption of local food.
I had always thought Sonoma, California was most representative
of a successful sustainable food program, but the food served at
this Conference made me
really sit up and take notice. I will never forget courses like “Roasted
Guinea Fowl with Garlic Tapioca, Northwest Mushrooms and a Smoked
Bacon Nage” or “Northwest Seafood Sausage with Saffron-Apple
Rouille, Kohlrabi Sprouts and Wild Fennel Pollen” or even the most
basic of offerings that soared with freshness like “Local Heirloom
Tomatoes with Lemon Oil, Basil, Sea Salt and Black Pepper.”
Breads
and desserts were marvelous. At the Traditional Salmon Bake dinner
alone there were fifteen
desserts including “Double Chocolate Brioche Stuffed with Cherries
and
Chocolate” and “Blue Cheese and Red Plum Tart with Rosemary-Pinot
Noir Caramel.” I could go on and on. The Portland Roasting Co coffees were
actually the best I have ever drank and that is no exaggeration.
Desserts at IPNC's Salmon Bake
The Traditional
Northwest Salmon Bake is the highlight of the gustatory pleasures. Salmon is
prepared native Northwest style on alder stakes over a huge fire pit (see photo
below) and is
accompanied by an extravagant
outdoor buffet.
IPNC Salmon Bake
Wine
Speak
Another seminar was also led
by Andrea Robinson and focused on “wine speak”,
the often bizarre wine descriptors wine critics use that
strangely, but often accurately, describe the aromas and
flavors of wine. Certainly wine critics can have a pretentious
vernacular, but these terms have real meaning. Here are some
examples:
= “brambly” - the aroma and
taste of the foliage of dark berries and black currents; a
hot leaf smell; a descriptor the English like to use.
= "pyrazine” - green pepper smell
= “beef jerky” - big, heavy, older red wines;
a byproduct of fermentation; baconey, bouillon, soy.
= “bubble gum” - secondary to whole cluster
fermentation without crushing; the fruit under carbon dioxide gas produces
a bubble gum gas; typical of Beaujolais.
= “cotton candy” - from aging wine in American
oak; also coconut.
= “sweaty saddle” - from Brettanomyces which
is ubiquitous in the winery on barrels and equipment; barnyard.
= “band aid” - typical of South African and
South American wines and undesirable - Brettanomyces run amuck!
= “foxy” - a funky, animal smell; often in
concord grape wines.
= “metallic” - a steely or wet metal taste;
a hallmark of terroir and typical of French Chablis.
= “wet dog” - an aroma found in older French
Chablis, White Burgundy, and Loire Chenin Blanc.
= “beeswax” - typical of Semillon wines; also
wines from Loire and White Bordeaux.
= “lanolin” - associated with Semillon wines.
= “ lead pencil and cedar": characteristic
of Left Bank Bordeaux; from the soil and Cabernet Sauvignon grapes.
= “ sexy” - a term used when the wine arouses
you; arouses your attraction.
= “ sulfur” - sulfur dioxide is used as a
preservative and antioxidant in wine; a lite match smell; usually dissipates
shortly after the wine is open to the air.
= “ rotten eggs” - the smell of hydrogen sulfide
is a flaw in wine; may also take on a bike tire or tar aroma.
A featured conference at the event was “Everybody’s A Critic” which
was chaired by Andrea Immer- Robinson, a former “Best Sommelier in
the U.S.” who has written five wine books and stars on a television
program which will premier October 3 on both the Fine Living and Food Network.
The panel was composed of the most influential wine writer in France, Michel
Bettane, legendary wine writer and Master of Wine, Michael
Broadbent (who
will release a book on Domaine de la Romanee Conti in the fall), New Zealand
wine guru Bob Campbell, noted wine writer Elin
McCoy, who recently wrote The Emperor of Wine: The Rise
of Robert M. Parker, Jr. and the Reign of American Taste, and wine critic for The Wine Advocate, Pierre
Antoine-Rovani.
The panel discussed how to access value
and quality in a wine and how they personally taste wine. Five
wines were poured: 2003 Domaine Bouchard Pere
et fils Beaune Greves Vigne de l’Enfant Jesus, 2003 Felton Road Block
3 Pinot Noir, 2002 Bethel Heights Vineyard Casteel Reserve, 2001 Au Bon
Climat Knox Alexander Estate Grown, and 1999 Domaine de l’Arlot Clos
des Forets St. Georges. There was quite a lot of spirited disagreement about
the wines among the panel members and audience proving once again that everyone’s
palate is unique. There were a number of pearls thrown out by the
panel and I list them here for your reference:
=A major criticism of Oregon
Pinot
Noir is that the wines are more about fruit than complexity.
=Many tasters make the mistake of judging
young wines by looking for secondary characteristics
they want in an older wine.
=Young wines speak of fruit, older
wines
speak of terroir characteristics.
=The first 5-10 years,
Pinot Noir fruit dominates,
in later years there is more a sense of soil expressing
itself.
=A young wine may be slightly reductive
when first opened. It may smell of burnt
electrical cord or eraser. This is often a sign that
the wine will age.
=When tasting red wines, always wear a black
shirt!
=Tasting a lineup of wine samples does
not do justice to the wines. There are so many other “real world
things” that go into evaluating wine: style, what the winemaker
is trying to do, the desirability of a second
glass, and compatibility with food.
=Swirling wine in your glass not only frees
up aromas, it also cleans the glass!
=When you taste a series of Pinot Noirs,
there is a build-up of tannin in the mouth making subsequent
wines taste more tannic. Green olives can counteract this effect.
Michael
Bettane and Michael Broadbent came off as the must erudite of
the panel, Pierre-Antoine Rovani as the most confrontational and
opinionated. When asked
if winemakers today are forced to make wines in a style favored by wine
critics
such as himself, he answered by saying there might be a few, but the
majority
of winemakers are dedicated artisans who remain loyal to their own style.
Personally, and I discussed this with several others afterwards, I thought
this response
was ludicrous. An analogy proves my point. As a chef in a restaurant,
food is offered that the customer prefers, not necessarily want
the chef wants
to cook. Can you go into any restaurant today and not find seared ahi
or hanger
steak on the menu? The same reasoning applies to wine and winemakers.
Certainly many wines are styled to appeal to a majority of the perceived
public’s
taste.
The IPNC, true to
its name, brings
Pinot Noir producers
together from
all over the world.“
There’s a camaraderie
between
Pinot Noir producers,”
says David
Adelsheim. “No
one thinks that
there are any
secrets and everyone
is willing to
share their knowledge,
expertise
and experience. As
a result the quality
of Pinot Noir has
gone up not only in
America but
around the world
because there is
this tremendous
energy focused on
making better
wine.”
The Pinots of Oregon- How it Began
In 1805, Lewis & Clark had endured every
hardship possible when they arrived at the mouth of the Columbia
River in close proximity to the Willamette Valley. In their canoes they
were thrashed
by the worst storms imaginable. Explorers to this region eighty
years earlier had named it Cape Disappointment. Why would any sane person
want to plant
Pinot Noir in an area named Cape Disappointment?
It was the hippie
generation that spawned the modern Pinot Noir era in the Williamette
Valley. The mindset
of the pioneers who first planted Pinot Noir here grew out of the
idealistic belief of the time that anything was possible with a
passion and a desire.
The first plantings of postprohibition Oregon
Pinot Noir were by David Lett (Eyrie Vineyard) and Charles
Coury (Charles Coury Vineyards
near Forest
Grove) in 1966. Neither of them had much practical vineyard management
and winemaking experience.
Charles Coury remains an unsung hero
of Oregon Pinot
Noir. At UC Davis he wrote his master thesis titled, “Cold Limit Amerlioration
Hypothesis” in which he theorized that vinifera varietals produce
their best quality wines when they ripen just at the limit of their growing
season. Along with Lett, Coury chose Oregon as the closest climatic match
to Burgundy. Lett and Coury were soon joined by Dick Erath and Dick Ponzi
.
As the sky eventually cleared for Lewis & Clark, these early vinous
trailblazers found Pinot paradise near Cape Disappointment. 1985
was the year that people really began to open their eyes to the potential
for Pinot
Noir in Oregon. National acclaim for the 1985 vintage was followed by the
purchase of land in the Dundee Hills of the Willamette Valley in 1987 by
the respected Burgundy house, Domaine Drouhin. That same year, the First
International Pinot Noir Celebration was held in McMinnville, Oregon.
Four decades later, Oregon may still have a
lingering reputation as “ leftover hippies” because it remains
a tolerant and laid-back place. Lifestyle is still more treasured here than
money. Andrea Immer-Robinson may be speaking for the Oregon Pinot family
when she said, “ Pinot Noir is like a Grateful Dead show, “When
it’s great it is so unbelievably
great.”
The
original intent of the International Pinot noir Celebration was
to introduce Pinot Noir to the American public and assist the thirsty
consumer in appreciating Pinot Noir and inducing
them to drink it. The event has progressed way beyond these early
intentions to become a festival to celebrate Pinot dreams come
true. Like early America’s
pilgrims who celebrated their bounty with a holiday, this Celebration
has become a “ Pinot Noir Thanksgiving.”
The Wines - Some Standouts
ADEA Wine Company 2003 Reserve Pinot Noir
$45/$50.00
This is a full-throttle Pinot Noir from
a warm vintage sporting 15.3% alcohol. Although this big style of Pinot Noir
is frequently not appealing to me, I
enjoyed this immensely with the mesquite-roasted Oregon Country beef sirloin
served at the Grand Dinner.
Owner Dean Fisher’s interest in Oregon wine
grew out of his skill for designing and building useful winery equipment in
a shop on the Fisher Family Farm two miles south of Gaston and nine miles north
of Carlton in Yamhill County. He struck up a friendship with Michael
Etzel at Beaux Freres and his first winery contract was to design and build the sorting
table at Beaux Freres. He subsequently built equipment for multiple other Oregon
wineries and along the way learned the fundamentals of winegrowing and winemaking
in Oregon. He planted his estate vineyard in 1990 with the help of Michael
Etzel and made long-term contracts with selected growers including Coleman
Vineyard, Laural Vineyard, Shea Vineyard, and Yamhill Valley Vineyards.
After
making his wines early on at Medici and Lemelson, Dean opened his own winery
and custom-crush winery facility in 2002 in a beautiful setting on the
old Fisher Family Farm property in Gaston. The first wines Fisher made were
bottled
under the Fisher Family Cellars label but a copyright conflict led to a
change to ADEA in 1998. The name is an acronym for members of the Fisher family
(Ann,
Dean, Erica and Adam). Production is now about 2,500 cases.
Andrew Rich 2002 (sold out) and 2003 Willamette Valley Pinot Noir ($26) The wines are made in a very drinkable style, elegant and balanced. Equally
at home before dinner or with dinner, they are sensibly priced.
Rich is a soft-spoken
New England transplant who became interested in wine in the 1980s and received
his training at Bonny Doon Vineyard. It was here that his interest in Rhone
varietals developed. Rich is quite an enigma: he is known as one of the few
Rhone Rangers in Oregon (sourcing grapes from Washington as well as Oregon),
his signature wine is Gewurtztraminer ice wine, and he makes excellent Willamette
Valley Pinot Noir. Andrew Rich Wines was founded in 1995 and since 2002 has
settled in at the Carlton Winemaker Studio in Carlton, Oregon.
Soter
Vineyards 2003 Beacon Hill Pinot Noir $44.55/$49.50
A superb offering and
maybe my favorite Pinot Noir at the event. This Pinot Noir jumps out
of the glass with violets,
black raspberries and chocolate dust.
Tastes exactly like a great Chambolle-Musigny. A privilege to drink!
I have
been a fan of winemaker Tony Soter for many years. His resume is impressive
and dotted with Cabernet superstar wineries like Spottswoode, Araujo,
and Dalla Valle. Soter founded Etude in the Carneros region of California
in 1982 and
made a string of exceptionally well-made wines from Pinot Gris, to Pinot
Noir to Cabernet Sauvignon. Etude was sold recently to Beringer Blass
but Soter
continues on there as a consultant.
In 1997 Soter purchased the Beacon
Hill Vineyard, a 20-acre hillside on the north fork of the
Chehalem Valley, located above Willakenzie in the Yamhill-Carlton
District.
The site is
named for
a lighthouse-like structure at the top of the hill. The Pommard- clone
vines
had been initially planted in 1988 on their own rootstock. Additional plantings
were undertaken in 1998,1999, and 2004 including some “heirloom” clones
Soter is famous for.
Today there are 16 acres of ecologically-managed
Pinot Noir from which an estate Pinot Noir, a sparkling Brut Rosé,
and a Rosé of Pinot Noir (first release 2004) are produced.
The inaugural Soter Vineyards releases were the 1998 Beacon Hill Pinot
Noir and the 1997
Brut Rose. A Blanc de Blanc style sparkling wine will be released in
2007-2008 and a very limited amount of Cabernet Franc is made under the
Soter Vineyards
label from Cabernet Franc and Malbec grown adjacent to the Soter home
in the Napa Valley. The Pinot Noirs have improved every year.
Plans have
been
made
to build a winery in an old barn on the property. Soter is assisted
at Beacon Hill by James Cahill, associate winemaker, and Vinetenders
Vineyard
Management,
operated by Joel and Louise Myers of Dayton, Oregon.
Territorial Vineyards & Wine Company was
founded by two Lane County wine grape growing families. Estate-owned and estate-managed
vineyards lie west of Eugene in the foothills of the coast range. The 11 acres
at Equinox Vineyard were planted in 1993 to Dijon clones of Pinot Noir and
the 15-acre Bellpine Vineyard, which bears the name of the soil type, was planted
in 1999. Owners Jeff and Victoria Wilson-Charles and Alan and April
Mitchell have been growing grapes for a combined total of over thirty years. Sustainable
agricultural methods are combined with aggressive canopy and yield management.
The stateof- the-art winery facility is located in urban Eugene . Fashioned
from a old coffee warehouse, a new tasting room is part of the facility,
A reserve Pinot Noir, the 2002
Territorial Capital T Reserve $33.75/$37.50 is a bolder wine
made from six of the best barrels of the 2002 growing season. I found
this
rich,
deep
offering less appealing
at this point than the Stone’s Throw but time in the cellar may bring
everything together.
###############################################
About the author: The PinotFile is a unique free weekly online newsletter dedicated
to Pinot Noir featuring winery and winemaker profiles, Pinot Noir releases
and reviews, and insider's information for acquiring artisanal Pinot
Noirs. Warning: readers may develop a hopeless passion for Pinot Noir.
The Creator, Editor, and Publisher is Rusty Gaffney MD, the "Prince
of Pinot".